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She is lying to Peter, but she’s doing what she thinks is right. Yeah, she was evil, but her motivating factor differed from the people that got her involved in the whole thing to begin with. I think it has a lot to do with how nuanced Shawn and the writers wanted to be with her character. What was it like to find that dynamic and work with Hong Chau?īASSO: She obviously crushed it.

As the audience, it’s fun to keep having that misdirection. I love the dynamic between Peter and Diane Farr because it goes back and forth, with the audience wondering whether she’s good or bad, and then thinking they know the answer, but then not being sure again. Sometimes romantic stuff feels a little gratuitous and shows, just because they wanna cater to that, and Shawn and the writers just wanted to make real people. It’s not like they took two people and just smushed them together and said, “Love each other now.” It was very natural, almost to where you probably could have done the whole thing without them being in a relationship, just developing a really good friendship, which I appreciate. The physicality came secondary, if not tertiary to everything else. I think there’s an appreciation for the other person being a source of truth and support. There’s this comfort, but they’ve also not lied to each other, the entire show. By the time their relationship develops, later in the season, the whole world is against them both and the other person is there with them in that. The characters go through a lot, and they’re really the only constants for one another, in the whole experience. What do you think was really the key to making the relationship between Peter and Rose work as well as it does?īASSO: I think just being patient. It felt very natural and like it really evolved out of the story, instead of feeling forced.

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One of the things that tends to kill thrillers like this is that they just don’t know how to work in romance, but I thought that this series really weaves in the romance really well. It’s a dead weight, so it was basically all on me to pick him up and slam him into the ground. The stunt guy couldn’t help me in that position because of the weight distribution. That was a really cool moment for me because it’s all strength. I pitched one triangle slam, where Briggs’ character has me in a triangle choke, at the end of the season, and I pick him up and slam him on the ground. Once they realized I could fight, they included me a lot, in all that stuff. I was involved, pretty early on, with the whole fight choreography. The toughest thing for me was breaking my muscle memory of how to fight in real life.ĭid you have a favorite fight scene or action sequence that you got to do in this?īASSO: Yeah. I almost had to re-learn how to fight, which is crazy to think about, since I’ve been doing it my whole life. You wanna get from point A to point B as quick as possible, and that doesn’t read on camera. In real martial arts and real fighting, you wanna do the least amount of telegraphing. It was more the differences in style of martial arts. Where did you start with your preparation for Peter? You’ve talked about how you typically already train, but did you do anything to prepare to play him because of his specific physicality?īASSO: Yeah, I fight a lot in real life and I train a lot, almost on a daily basis, so nothing physical required that much preparation for me.

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